New Year’s Recommendation for Screenwriters
“When asked how [the illiterate Sixth Patriarch of Zen] could understand the truth of the Buddhist texts if he couldn’t read the words, the Sixth Patriarch raised his arm and pointed to the moon. Truth is like the moon in the sky. Words are like a finger. A finger can point to the moon’s location, but it is not the moon. To see the moon, you must look past the finger. To look for the truth in books, the Sixth Patriarch was saying, is like mistaking the finger for the moon.”
This little Zen koan I came across in Ruth Ozeki’s wonderful novel ‘A Tale for the Time Being’ reminded me of a classic issue in screenwriting. Let’s think of the moon in this Zen koan as an analogy for a good story and the finger as the methods that supposedly point to how to write one. There are a great many people, including myself, who study screenwriting methods to find more effective ways to write better-resonating stories, just like there are many people who study the Buddhist texts to understand and practice Buddhism and attain enlightenment. I wonder though, if someone who is illiterate in the methodology of screenwriting couldn’t look past the methods to directly experience and deliver the essence of a good story. If a ‘good story’ is the truth we all are striving to arrive at in screenwriting, can we be mistaking the ideas on screenwriting for the truth in it?
While I am a true believer in studying, analyzing, reflection, comparison, methodology and so on, I also feel that theory in general may create grounds for a trap where our writing minds and our written words are suffocated with all the knowledge, ideas and limitations that come from over-preparation. We should be careful not to let the theory get in the way of the creative power of the practice of writing. A free mind is a lively imagination’s best friend. It’s surely important to furnish that free mind with a great big library of inspiring inhabitants, but it’s equally important not to restrict it with preconceived notions of what it should eventually produce.
Methodology can also become a trap as it encourages procrastination. Long after a writing project is ripened with enough ideas and enthusiasm, we can be inclined to come up with endless material to read and more interesting methods to apply that we may be risking losing the passion required to dive into it. Sometimes, the more we dwell the more we lose focus and drive.
Having read quite a few screenplays, I feel that there is a drought of creative juice and courageous daring in scripts. There is also a huge lacking in form and method – the essentials for the craft. Whether it be your ‘practice’ or your ‘theory’, be sure to nourish them just the right amount and avoid being limited by either of them. Take care to always look for the ‘truth’ of a good story within the madhouse of your imagination and make sure not to get bogged down by the finger while searching for the moon.
I wish you the moon in the New Year!