Mountainfilm for Everyone
June 20, 2015 3:37 pm
“…how strange it is to risk yourself for a mountain, but how central to the experience is that risk and the fear it brings with it… Life, it frequently seems in the mountains, is more intensely lived the closer one gets to its extinction: we never feel so alive as when we have nearly died.” – Robert MacFarlane, Mountains of the Mind
I had the fortune of attending Telluride Mountainfilm Festival this year. I have been to many film festivals before and although I love documentaries, I thought a festival that primarily concerns itself with mountains might be too limited in scope. I quickly found out that in addition to climbing movies, the film program encompasses all sorts of adventures in nature, manifestations of human effort in any walk of life, environmental and political issues, better yet, ruminations on the future of our Earth and humanity. Still, I thought for a non-climbing, non-skiing indoor creature like myself, it might be too sporty, or too factual, or too dark… I didn’t know a thing.
The day before we arrived in Telluride, my husband, who lived the life of a climbing bum for a decade himself, announced that Dean Potter had just died. “Who’s that?” I asked. That’s how clueless I was. Dean happened to be one of the most innovative and influential climbers of his generation, a long-time friend to Mountainfilm, and simply a truly luminous soul. He died flying into his favorite place on Earth, the Yosemite Valley. My husband had just taken me to Yosemite a few weeks before the festival and now those incredible peaks had a new meaning for me – death.
As it is my nature, I blamed those rocks for alluring so many wonderful people to engage in such deadly love affairs with them. I don’t know what it was about Dean Potter’s death that so captivated me, but the whole festival weekend felt like a mental and emotional investigation into the reasons why humans go to such great lengths to experience being in nature.
Meru was one of the first films I saw at Mountainfilm. I have to say, at first, it confirmed my hesitation to put climbers on a pedestal for their courage and strength. In Meru a very talented and experienced climbing trio ventures to climb a peak that was considered an impossible ascent at the time. Despite a serious head injury and an alarming avalanche incident for two members of the team only months before the expedition, they go ahead with their plan. Their determination to climb Meru would have been crazy even in perfect health, so you can imagine a mortal ground-dweller like myself would grow uneasy with these guys’ insane obsession with a summit. I was yet to see why this was…
Later in the weekend I watched Valley Uprising – a chronicle of 60 years of climbing in Yosemite National Park. Not only do we get to see notorious world-class climbers pushing the boundaries of the sport, but we are also introduced to (or reminded of) how a sport (or any act of passion) can be a rebellion against the presumed limits of human potential. Absorbing image after image and story after story of men and women watching El Capitan in total awe and evident yearning gave me a clearer perspective on what’s up with these people. Climbing, or being at one with a rock or a mountain, must be about freedom. Freedom to be by oneself in one’s most receptive and vulnerable state of being – in one’s purest form. I’m just guessing…
There were more relatable films that helped me delve ever deeper into our diverse experience as humans. I particularly enjoyed a selection of shorts that offered little glimpses of life that sparkled beyond their confines:
Denali might be the most touching tale of friendship between a man and his dog.
The Fisherman’s Son is an inspiring story of how a Chilean surfer’s passion for riding the Ocean waves in his little fishing town grew into making history as one of the best big-wave riders in the world, and as an advocate for the protection of the Chilean coast.
The Reinvention of Normal redefines the meaning of the ‘think outside the box’ adage, brimming with odd originality and playful persistence to transform what’s considered normal.
The Important Places is a father and son’s 28-day journey down the Colorado River where they find beauty, wonder and a deep connection with nature and each other.
We are Fire is a look at the Gulabi Gang of India through a radiant woman’s search for justice and equality.
Among the wonderful selection of feature-length documentaries were Frame by Frame. It tells the story of four Afghan photojournalists who strive to depict the truth about the Afghan people under post-Taliban regime, suggesting change can happen one frame at a time.
How to Change the World is another story of how a small group of people can make a big difference. It recounts how Greenpeace ignited the unstoppable power of direct environmental action to inform and mobilize masses and engender social movements. Personal conflicts among the team members juxtapose the diversity of human perspectives with the uniting power of a great cause.
Entertaining a different angle, The Yes Men are Revolting demonstrates the power of humor in revolutionizing our minds about the biggest danger we face today – climate change. It feels less like a series of environmental protests, and more like a comedy show made even more hilarious because of its truth and effectiveness. Personal sacrifices, disappointments and relentless perseverance are skillfully woven into the quirky fabric of this gem of a movie.
Two of my favorite films were beautiful manifestations of human ingenuity. Landfill Harmonic is one of the most uplifting stories you will see, where anything feels possible. A group of under-privileged children who live near a landfill in Paraguay begin learning classical music under the guidance of their teacher. A crafty landfill worker supplies the children with classical instruments made out of scrap. And off they go to win the hearts of people around the world. The film is a testimony that great things can emerge from the direst circumstances.
On the other hand, in Very Semi-Serious we find relatively privileged people working very hard to live their dream – to be published cartoonists in the New Yorker. The film is not only a most entertaining compilation of cartoons in the history of the magazine, but also an inspiring look at the world of accomplished and beginning cartoonists, daily conquering their egos to keep learning and growing. The New Yorker cartoon editor Bob Mankoff’s story beautifully frames a picture of the value of passion, hard work and humor.
Needless to say, it was impossible to fit all the movies on my long wish-list into a short weekend. Among the titles I will make every effort to watch are: Being Evel, Cerro Torre, The Diplomat, Drawn, The Last Patrol, The Man vs. the Machine, No Cameras Allowed, Racing Extinction, Unbranded and Les Voyageurs Sans Trace.
In a nutshell, what I learned in my week in Telluride at the Mountainfilm Festival is this: the way to achieving anything that is worthfilming (and, literally or figuratively, worth dying for) is to do something unimaginably courageous. And the good news is you don’t need to climb mountains for it. Whether it’s getting published in the New Yorker or becoming an international musician playing your recycled instrument, there is a personal summit to reach for everyone and it’s worth it.
No matter what you think you will get out of it, make plans to attend the next Mountainfilm Festival to taste a potent slice of inspiration, which will no doubt give you the boost you need to make the leap into your version of greatness. May the Mountainfilm be with you!
Steiner on Storytelling
January 21, 2014 5:37 am
‘The Challenge of Rudolf Steiner’ is a two-part documentary on the life and work of Austrian visionary philosopher and ‘spiritual scientist’ Rudolf Steiner. Although Steiner’s work does not extend to storytelling in much detail, stories are integral to his philosophy.
Rudolf Steiner made invaluable contributions to a variety of fields from education to agriculture, philosophy to arts, medicine to religion. We can apply and benefit from Steiner’s many ideas and practices in whichever area of life we turn to. Storytelling is no exception!
As an example, Steiner’s method on biodynamic agriculture can teach us about the structure and flow of stories. Biodynamic farming recognizes the interrelatedness of all farming tasks, forever continuing in a cyclical cause-and-effect relationship. Similarly, a well-told story should organically fuse the equally important elements of storytelling to create a functioning and abundant structure.
Each scene, sequence and act should progressively compose an overarching plot, through which the protagonist works his way and eventually harvests a new equilibrium – a brand new fertile soil on which a new seed/journey can be planted/launched.
May be one day we will be blessed with a theory on the nature of stories and storytelling, based on Steiner’s anthroposophy. There we may find a fresh, straightforward, dynamic, encouraging and compassionate answer to: how to create a convincing protagonist who embarks on an original quest that merges out of a true dilemma, which is moving towards resolution through an indestructable story structure. Until then, most of us will continue to struggle through the meticulous and cold complexity of Robert McKee’s ‘STORY’.